Friday, March 20, 2009

Natale Tumchyasathi

I bumped into a long lost acquaintance sometime last month in one of the film fests in the city. Bhushan Korgaonkar, who I used to meet on-off through some of our mutual friends is this quiet, composed person who seemed pretty much at ease in his skin during all our previous meetings. That day, he asked me and Shibu to wait outside the auditorium after the film fest since he wanted to catch up with us. After the film fest when we found him waiting outside, after our initial exchange of pleasantries he began digging into his jhola and took out couple of CD covers. And that’s when he told us where he was keeping busy all these days. Over the last 3-4 years, he had been working on making a movie.

Working as a freelancer journalist some years back, Bhushan had written some article on the art of Lavani dances in India. He had become so enamored by the dance form and the fabulous stories of the dancers that he decided that this needs to be captured on camera. For the past few years on a very meager budget of a little more than Rs. 1 lac per head (along with his partner in this movie, Savitri Medhatul), he had been filming a documentary movie on the lives and times of the Lavani dancers in Maharashtra.

For the unknown, Lavani is a genre of music, incorporating a song-and-dance routine popular in Maharashtra. The word Lavani comes from the word Lavanya which means beauty. The Nirguni Lavani (philosophical) and the Shringari Lavani (erotic) are the two types.

Finally his movie was ready, and when I met him he was going through the post-production process for the movie. Titled Natale Tumchyasathi, (translated as ‘Behind the adorned veil’), both the cover photos had the lavani dancers dressed in colorful sarees on the stage during a lavani performance. While one cover had a close up of couple of dancers showing their faces as they were lifting the veil, the other cover photo showed about 6-7 dancers on the stage at a distance, some of them with their heads covered and some of them with the veils off their heads in various dance poses. I preferred the latter, and told him so. My point being that it seemed more active, more crowded and more colorful.

We spent some more time talking and Bhushan narrated some of the troubles he had gone through while making the movie, and we provided all the encouraging words to let him know of what a fabulous attempt he has made. While all of us would love to do something beyond our routine jobs, there are a very few who move on to a different direction while they are on a steady 9-5 job. That he has managed to make a full-fledged documentary and that too on a topic, not so often spoken about was truly a feat, and I offered my services for any help he might need to get his movie out successfully. While he did not need any of my help, I thought I would at least provide word-of-mouth publicity for his movie. The least I could do is that. The movie is scheduled to be released in a few weeks and it is already creating a buzz in the Marathi literary circles. There have been a few news items regarding the movie, and I am pasting the URLs below for the readers to know more –

http://www.mumbaimirror.com/article/57/20090318200903180306455957e2b03ff/Behind-the-adorned-veil.html

http://www.expressindia.com/latest-news/dancing-queens/434956/

4 comments:

scritic said...

Since when did "Natale Tumchyasathi" become "Behind the adorned veil"?

Joe said...

Ya..that's what Shanta Gokhale mentioned in her write up in Mirror...that the translation is not appropriate...waiting to check the movie...

Chivalrous said...

Is this movie based on dance evolution? What is its story all about?

Joe said...

No it is based on a style of dancing in old-time Maharashtra called 'Lavani'. This movie especially talks about a group of men who took to dancing Lavani, cross-dressed as women. I still haven't been able to watch the movie